Academy Award® winner Rachel Weisz, known for her powerful performances in such films as The Constant Gardener, The Lovely Bones and The Whistleblower, was eager for the challenges that lie ahead and the results were more than they had hoped for. In her new anticipated movie The Bourne Legacy she plays Marta a workaholic, utterly devoted to her groundbreaking research as a biochemist at a top-secret lab in Maryland.

Marta’s mundane life is turned upside down and she becomes a target when Outcome is rapidly shut down and she is perceived as simply residual cleanup. Aaron played by Jeremy Renner —a man whom she has examined multiple times in four years but doesn’t know well—appears in time to save her, and the two quickly form a relationship out of necessity.

Do you think that a franchise film can still be original or does it rely too much on its original pedigree?

I think what is similar with this film when compared to the original BOURNE films is the realism. We don’t have the shaky camera work that was the stamp of the first three. We don’t have that reportage style. What is interesting is that this film is about the legacy. If you have not seen the first three, you can come in to this fresh. If you were a fan of the previous films in the series, you get to see the curtain lifted and the man who has been in charge. I think that is an incredible reveal. The movie is like peeling off onion layers. It is a whole new operation. At the beginning, they cannot find Jason Bourne so we do have a tie to the other films.

In this film, we are now back in the world of BOURNE but with new players and a new risk. Can you talk about how this all comes together?

Good writing sets you up emotionally. The set-up is that Edward Norton’s character has been in charge of the whole operation since the beginning. He has been the behind-the-scenes puppet master for the first three movies. He has been behind the curtain but now the curtain lifts and we meet Edward Norton’s character. We find out that he needs to wipe out all the various operations, including the one Jeremy Renner’s character is a part of. I am part of the science team that has developed the science aspect of the operation and they come in and wipe out my entire team. Every single person in my work place has been shot and I am witness to it. That was pretty intense. The next day, I have three people from the CIA come to my house to try and kill me. Jeremy’s character shows up and saves me. From there we set out on this adventure to find out the truth.

What drew you into the series?

I loved the realism and the level of the acting. The acting was very realistic. They are not superhero films but about real people. Jason Bourne was just a man enhanced with special gifts. It could happen out there now. When you watch THE AVENGERS, you like seeing the characters but you know they are not one of us. When you see the BOURNE films, you can understand the man and identify with what would happen to an ordinary man who got caught up in this government program. I just identify with the realism. It is not fantasy. It could be happening around the corner. That is exciting to me.

With the science that has been developed, the government, in a strange way, has made these men into drug addicts. Jeremy’s character keeps telling you that he “needs the chems.”

The issue for my character is that this is a huge moral conundrum. I am doing this cutting edge science but I am told not to think of the moral implications of this science. When I meet Aaron, I am told not to think. So, when it all blows apart, I am morally compromised. What I have been doing for the government is massively, morally compromised.

Does that give you any food for thought morally about the grains of truth this film explores?

I know there are elements of truth. What we show is not science fiction. All that we show can happen. Our story is fiction but totally realistic fiction. Tony and I went to speak with some really high-powered scientists before the movie and they told us that in certain areas some of these things are really happing. It is scary but it is true.

Did you like the opportunity to play a scientist? One presumes most scientists don’t look as glamorous as you.

I am an actor and I like to play various parts. My character, Marta, is not a super hero. She is a real person. I did meet some scientists who dressed up and wore lipstick but once this film gets going, it would look preposterous for Marta to whip out a blow dryer. This is the real world she is in and she has to deal with her environment.

Tony Gilroy wrote the first three BOURNE films. Now he gets a chance to direct. Do you feel he was emboldened with this responsibility?

Tony was the writer on all of the other BOURNE films He masterminded the whole thing and now he tells the fans, “You think you knew it all. You didn’t. You think you knew who was in charge? You didn’t.” It is brilliant and fun.

What was your assessment of working with Tony Gilroy?

It was fantastic. I like to improvise and play with the piece when we shoot. Some directors, who also write, don’t let you play around with their material but Tony is fine with it. He is this great mixture of a brilliant wordsmith but he also loves chaos. That is great because that is what acting is about, getting chaotic in the moment. Tony is intellectually brilliant but loves the chaos.

Your character goes through this wide range of emotions in the film. Does that come naturally to you?

There is not much smiling in the film. Marta is fighting for her life.

How do you get to that emotional place?

There is a whole scene to act so you just have to do the scene and hopefully the reality of the situation takes over. You have to pretend that this is really happening.

You were a tomboy as a kid. Do you think that helps you make a movie like this?

Yes it does. I can climb trees and run. I am not too girly.

In part of the movie, Marta is running for her life. Did you worry that you didn’t want to run like a girl when the going got tough?

I am flattered if you thought that I didn’t run like a girl. Women have wider hips, so we tend to kick our feet out. We run like we run.

You are not an actress we usually picture with a gun in her hand. When that situation arises in THE BOURNE LEGACY does that put you in a different state of mind?

Hmm, it is a really scary situation. I don’t really shoot.

Was it fun to be gripped on the back of that motorcycle?

I just had to hold on (laugh). I don’t drive. It was terrifying.

Was it fun to kick some ass?

My role was a realistic journey about someone who has never had to fight for her life. Marta has always been in a lab doing things with test tubes and she suddenly has to learn to fight. She is not a super hero. She is a real person who has to fight for her life.

Was that the biggest challenge on the film?

The stunts were the challenge. There are a lot in the film. In Manila, we have this huge chase scene on a motorcycle and Jeremy and I did most of it. We drove through that city and jumped over bridges and crashed into buses. I was way out of my comfort zone.

When does ego step in and allow you to ask for a stunt double?

I would say about 99% of the time Jeremy and I were doing the stunts. Jeremy is a really good rider. He is just very physically adept at stunts. He is agile and fluid and beautiful to watch. I felt safe with him. We practiced for a couple of weeks in a big parking lot.

Was there an adrenaline rush?

Oh yes, but I had a lot of trust. Sometime when you watch a film, you see action scenes and car crashes and you just know that it is fake. Here we are on the streets of Manila, on this bike, going fast. Audiences can see that this was really happening.

You don’t do each scene once. You have to do them numerous times. How do you keep your adrenaline up?

You need a lot of takes and your body starts to rebel. You do get some aches and pains. I did something to my elbow while we were running through the streets of Manila. I jammed it and it still sort of hurts. Sometimes you have to look completely desperate and after take thirty, you don’t have to act anymore because you are feeling that way (laugh).

At one point in the film, Jeremy calls your character naïve. When was the last time someone called you naïve? And what was the circumstance?

I cannot recall someone calling me naïve. My character is in a very particular situation. She is not naïve. She is just not morally thinking about the implications of her actions. Have I had regrets about things? Have I made mistakes? Is that naïve? I think it is just being human. It is all about trying things that you have never done to get the experience. You never know how any decisions will turn out, so maybe we are all naïve.

How delicate has the balance been for you to keep your personal life and professional life separate? Fame can consume one’s life. Can you fight being famous?

I see them as two separate things. I cannot say that I am not a celebrity at this point. That would be silly.

How difficult is the balance between being a mother and the demands of acting?

Of course it is difficult, but it is difficult for any working mother. All moms face the challenge. I am lucky that I work extensively and then I am off. Some moms work all day and they get home late and have to be a mom.

Being a mother of a young boy, is it like being in an action movie all the time?

Not really. For my son’s birthday, he just got this little plastic lie detector test. He makes me put my fingers on it, and he asks me questions. I turn it around on him and ask questions like, “Did you eat your vegetables at school today?” It has been fun.

What are your criteria for choosing a film?

Sometimes you seek things out and sometimes you are chosen. The reasons vary. It can be the director or the material. With OZ, I chose that film. It is the prequel to THE WIZARD OF OZ. I wanted to do it because it was something I have never done before. I play the Wicked Witch of the East. She is really evil and the role was different from anything I had ever done before. I just read it and knew I wanted to play that character. That was a challenge. I got to be in a whole new universe where lightning bolts shoot out of my fingertips. When does one get to do something like that? It was like being a kid.

The movie is called THE BOURNE LEGACY. What kind of legacy do you hope to have?

Beyond my child, I cannot think of anything. I am sure there will be some movies on DVD that might be a legacy. Hopefully my carbon footprint won’t be too big. We filmed in a disadvantaged area of Manila and I funded a playground for the kids there. They had no resources there to do it themselves. I actually wanted to call it THE BOURNE LEGACY, but we couldn’t for legal reasons. Is that a legacy?

“The Bourne Legacy” is released and distributed by United International Pictures through Solar Entertainment Corp. Showing on August 8, 2012, Nationwide!



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